The Word of Mouse: New Age of Networked Media

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The 2, page book was written by Ferdinand Columbus, the son of famed explorer Christopher Columbus, and scholars he hired. The library apparently had 15, to 20, books, of which only a fraction have survived. Apparently Columbus was interested in all kinds of literature, including not only the well known religious documents of the era and the usual Greek and Roman classics, but also newspapers, handbills, contemporary poetry and newly written books, many of which are unknown today.

Comments Off on The first universal library. Atlanta editors Ralph McGill left and Eugene Patterson right both won Pulitzer Prizes for distinguished editorial writing during a hate-filled era in the American South. A Sept. Its a good lesson for the 21st century. Comments Off on A nobler resolve. Posted in Currents.


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The murder should be investigated, a UN special commission said in June, Joel Simon, director of the Committee to Protect Journalists, wrote: Journalists over the past two decades have encountered some terrible fates. Comments Off on Saudi murder of journalist is depravity. Posted in Currents , Uncategorized. The painting, by Moritz Daniel Oppenheim, was made in Pope Pius IX backed the order to take the child in Comments Off on Revisiting the Mortara controversy. Comments Off on Broadcasting has always been intertwined with politics.

Was it something about German people? This was widely believed in the years following WWII, but not so much today. Alternately, do all people have destructive tendencies that may surface anywhere, at any time?

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The Word of Mouse: New Age of Networked Media - AbeBooks - Jim Banister:

If so, what are the conditions that breed genocide? This critically acclaimed survey of media history is now in a second edition. A great place to find and read the originals. Of interest to historians: history of copyright , also history of libel , and history of advertising law. Trotter rejected the view that racial equality could come in stages. Harold Edgerton , a pioneer of high speed photography, is remembered in this July Smithsonian video about filming atomic explosions.

Evelyn Berezin, invented the word processor in the s to lighten the load of secretaries worldwide. She is remembered in this New York Times obit. PBS archives will be opened at the University of Georgia. The programs were once submitted for Peabody Awards. Virtual Reality will have the same emotional effect on audiences that photography did in the 19th century, says Stanford professor Jeremy Bailenson. Lowell Thomas , a man who helped define print and radio journalism in the early to midth century, is profiled in the Smithsonian Magazine, June, Fake news isn't so new after all.

Watch the uncut war of words between John Cena and Roman Reigns: Raw, Aug. 28, 2017

In "Techniques of 19th-century fake news reporter," Petra S. Rome, Open City by Roberto Rossollini is celebrated on its 70th anniversary. Griffith and the legacy of a virulently racist American film. Also noteworthy - Zinn project article by William Katz. The Wipers Times , a humor publication from the least humorous situation ever -- the fighting trenches of WWI.

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Subject of an excellent movie in Ixnay on the Otography-fay Life in the trenches was no laughing matter for most. The photos came to light in November, Nixon-Kennedy debates in September, brought the new power of media to bear on the old politics of the presidential campaigns, as this recent Chicago Tribune article reminds us. Too Fast for the Truth?

This made it appear like she was intoxicated. Even though it was relatively easy to spot that this was doctored footage, the video spread widely on social media. This shows that it does not take much to fool some online users. This infamous video of Nancy Pelosi on Facebook spurred the same old question about the balance between freedom of speech and the fight against misinformation. How could the fact that deepfake is based on AI and machine learning reframe the question of freedom of speech? The second issue is related to whether social networks should take the video down.

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Broadly speaking, could content of this nature be considered satire? Where should the line be drawn? We have seen that platforms like Facebook, Youtube and Twitter have found different answers to these questions so far: In the case of the Pelosi video, Facebook decided to leave it on its website, downrank it and add a note for viewers that it has been debunked.

Youtube decided to pull it. Twitter left it on its platform. Do you think the US media is ready to take on this challenge?

word of mouse

What can medium- and small-sized newsrooms do to be better prepared? Media forensics experts predicted that the Midterm Elections would be the first major political event in the U. That was not the case. But we have to stay vigilant. Our goal is to be prepared when deepfakes become prevalent. The Wall Street Journal is one of the first newsrooms to tackle the looming threat that deepfakes pose, but we are seeing heightened awareness at other news organizations, too.

The Word of Mouse: New Age of Networked Media

Reuters for example is training its reporters in deepfake detection by showing them examples of synthetic videos that the news agency generated in collaboration with a startup. NYT launched the provenance project and the Washington Post developed a guide to manipulated video. One of the solutions is collaboration and having the news industry come together as one to address this challenge. Our team at the Journal has published a deepfake guide on Nieman Lab.

word of mouse

It is important to us to advance our own understanding of the issue, but also to share best practices with the rest of the news industry. What are your thoughts on media forensics training, an understanding of the underlying technologies behind the various tools used and the ability to detect hidden or deleted data? How can the curricula keep up with the fast developing technology? At the moment, it is still relatively easy to spot a deepfake video, if you know what to look for. Basic video manipulation and digital research skills are most likely enough to recognize most altered videos.


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  4. However, we have to keep up with the advancements in deepfake technology and constantly update our detection methods. Some startups and tech companies are already preparing for more intricate deepfakes by developing automatic detection software based on Machine Learning, which will help social networks and newsrooms spot altered videos and photos faster and more reliably. Understanding deepfakes should be part of the training program of newsrooms. Some universities are also being proactive in educating its students, and understand this as a broader media literacy issue.

    Most of the technology that could aid deepfake verification is still not available publicly or inaccessible to the workflow of newsrooms. Besides, the more deepfake detection algorithms are developed, the better will deepfake creators know how to improve the technology. Networked media 6. All business is show business 7.